教程:在Apple Final Cut Pro X中使用复合剪辑
Working with compound clips in FCP X is similar to nesting sequences in Final Cut Pro 7. 一旦你明白它是如何工作的, 以及复合剪辑的更改如何影响整个项目, it's a powerful feature that you'll find yourself using more and more.
在本教程中，我们将讨论复合剪辑, 哪些是Final Cut Pro X的嵌套版本. It’s a way to take a handful of clips on a project and compress them down to a single file.
制作复合夹子很简单. 您可以制作整个时间轴的复合剪辑, 仅仅是视频, 只有音频, 两者的混合, 或者只是一小部分. 它非常灵活.
创建复合夹
首先，让我们看一下时间轴的开始 图1(下面). This example is from a wedding film recently produced by my studio Cord3Films, but the Compound Clips technique described here applies to any FCP X project where you need to make a complex timeline more manageable.
图1. 我们要处理的复杂时间线.
如你所见，这个时间轴相当复杂. 底部有一个音乐音轨. 这是新郎致辞的音频. 有一个主要的故事情节是新郎发表演讲, 在他写演讲稿的画面上剪辑了B-roll, and on top of that there's even text for the translation because he was speaking Spanish.
We can simplify this in the timeline by simply making a small section of this timeline a compound clip. So I'm just going to drag a marquee and lasso over this beginning section (下面的图2)，我想做一个复合夹. 一旦被选中, it's as easy as pressing Option-G on your keyboard--that's the shortcut to make a compound clip.
图2. Lasso’ing the part of the timeline we're going to make into a compound clip.
When you press Option-G, at the top of your screen you’ll see the dialog box shown in 图3(下面). It has two options: to name your compound clip, and to identify the event it's associated with. In this case it's associated by default with the only event we have in this timeline, but we're just going to name it “Narrative Opening” because that's an accurate description of this part of the project.
图3. 命名和关联复合剪辑.
单击OK, FCP X制作复合夹子, 把它们压缩成一个文件, 但要保持编辑完好无损. 一切都在那里，包括转换，如 图4(下面).
图4. 所有编辑完好无损，包括过渡，在预览中显示在这里.
相关文章
Here's a look at two workflows for applying film grain to your footage in FCP X using cineLook (with and without Gorilla Grain), 首先是用Blackmagic生产相机拍摄的4k镜头, 然后用cinestyle数码单反拍平镜头.
在我们关于最近发布的FCP 10的第一个教程中.1, 我们来看看新的库特性, which enhances project and media organization and eases the adjustment for editors transitioning from FCP 7.
This tutorial on Apple Final Cut Pro X takes a closer look at color correction in the Inspector, 探索平衡色彩, 颜色匹配, 和颜色蒙版和形状蒙版功能.
This tutorial on Apple Final Cut Pro X inspects the Video Inspector, a context-sensitive area of the FCP X interface that allows you to change settings of various filters and settings, 并专注于进行基本但有效的色彩调整.
In this video tutorial 格伦·艾略特 of Cord3Films looks at FCP X's Timeline Index which provides innovative options for viewing, 导航, 搜索你的项目, including three different types of timeline markers and the ability to create a navigable To Do list of editing notes that's indispensable for collaborative workflows.
在本教程中, Cord3Films' 格伦·艾略特 demonstrates how to mix audio from multiple off-camera sources in a multicam edit in Apple Final Cut Pro X.
在我们在Final Cut Pro X多镜头编辑系列的第2部分, 格伦·艾略特 explains how you can accelerate and streamline the multicam-syncing process in Red Giant's PluralEyes 3.
Our Final Cut Pro X tutorial series continues with the first installment of a 3-part series on multicam editing in FCP X, addressing the basics like creating a multicam clip and cutting and switching audio and video using the Angle Editor.
在本教程中, we'll look at several ways you can use connected storylines to enhance your FCP X edits and mix in cutaways and creative shots in a quick and efficient way.
This tutorial explores advanced editing techniques in FCP X including back-timing your edits, 替换编辑和试镜, 全体编辑, 扩展编辑, trim-to-selection编辑, 键盘修剪, 和精密编辑器.
The mag网ic timeline is one of the major revolutionary changes in Apple Final Cut Pro X, and one of the areas editors struggle with when they're coming from track-based NLEs. 在本教程中 we'll break it down and show you how to make it work for you.
在我们新教程系列的第一部分中, 格伦·埃利奥特揭秘Final Cut Pro X, 说明其核心功能, and focuses on one of the most powerful new features for organizing, 加速, 精简你的编辑:元数据关键字标签.